From Sketch to Studio: A Gen-AI Tool Revolutionizing Fashion Creation

From Sketch to Studio: A Gen-AI Tool Revolutionizing Fashion Creation

Overview

Overview

As the Founding Designer at Fword.ai, I led the end-to-end design of a generative AI-powered fashion tool from concept to launch. The process was highly iterative , driven by rapid experimentation, evolving ideas, and continuous learning. I shaped core workflows, informed product direction, scaled our design system, aligned cross-functional teams on key decisions, and championed a culture of design thinking across the organization.

Timeline

October 2024 - March 2025 (6 months)

Team

15 members - 1 Designer (Me), 1 Product Manager, 3 Marketing, 6 Developers, CTO

Product Highlights

🚀 Went from 60 to 1,000+ Daily Users | 🎨 30k+ Designs Created | 🔁 80% Return Rate

Video credits : Thefword.ai

The Problem

Fashion design tools have long been criticized for their complexity and steep learning curves, which can hinder creativity and efficiency.

The world of fashion design tools has remained relatively stagnant for years, with limited innovation compared to other creative industries. Fword.ai is changing that. As a GenAI-powered platform, Fword aims to revolutionize the fashion design process just as Figma transformed product design.

How might we empower fashion creators to effortlessly turn their ideas into complete collections, from sketch to 2D, 3D, and photoshoots.

How might we empower fashion creators to effortlessly turn their ideas into complete collections, from sketch to 2D, 3D, and photoshoots.

The Problem is real and quantified

The Process

We set out to understand what today’s designers truly need

User Interviews

User Interviews

Literature Review

Literature Review

Journey Mapping

Journey Mapping

Competitor Analysis

Competitor Analysis

So we spoke to them. Researched the industry. Mapped their journey. Compared existing tools.

What we heard from the designers

I synthesized the findings through affinity mapping, identified that there were a lot of overlaps between what they wanted and what precisely fell under one of the 6 key findings mentioned below.

Productivity Pressure

“Clients want fast turnarounds, but 3D takes weeks.”

Ideation BottleNecks

“I have ideas in my head, but I’m not good at drawing them out.”

Fragmented process

“Every stage needs a different tool, and they don’t talk to each other.”

Complexity hindering creativity

“I spend more time learning the tools than actually designing.”

Creativity vs. Control

“Most AI tools are general-purpose, they don’t understand clothing nuances.”

Once we understood what designers were going through on the ground, we backed it up with research — diving into 25+ papers, industry reports and surveys to spot larger patterns.

Studies on creative tools show that complex interfaces slow down ideation.

Both research and industry voices highlight how traditional design tools prioritize precision over play

There’s growing momentum for AI as a creative collaborator, not a replacement.

Shifting trends and growing concerns are pushing fashion toward more sustainable and mindful practices.

GenAI raises questions about originality, authorship, and ownership in fashion creation.

So whether it was a quote from a designer or a published paper, the message was clear: Designers crave speed, freedom, and support in their creative flow.

Mapping the traditional process

Leveraging insights from primary and secondary research, I mapped the end-to-end journey of a fashion designer using traditional tools, from ideation to production—to deeply analyze pain points and uncover opportunities for improvement.

Opportunities for Innovation

2D Sketching

2D Sketching

3D Design

3D Design

LookBooks

LookBooks

Production ready Patterns

Production ready Patterns

Copyright

Copyright

Mood-boarding

Mood-boarding

Photoshoots

Collaboration

Fashion Shows, tryons

Photoshoots

Collaboration

Fashion Shows, tryons

Mapping the traditional design journey exposed critical friction points, while the literature review highlighted a growing momentum for generative AI across creative industries.

Together, these insights shaped the next step, evaluating existing GenAI and traditional tools to understand how well they addressed the identified needs and opportunities, and where gaps for innovation still remained.

What current Gen AI tools fell short of

Generic AI generators lacked awareness of fashion’s nuance — silhouette, texture, drape, intent.

GenAI features were scattered, forcing designers to juggle between multiple platform

Traditional design tools were complex, rigid, and came with steep learning curves.

Curious about the scrappy details? Let’s dive in.

Designers are still struggling to piece together workflows, even as GenAI reshapes the creative industries. We want to position ourselves as "All-in-One AI Fashion Design Platform"

Ideation and systems thinking

In collaboration with product managers and developers, I developed an information architecture, explored numerous ideas, and once we had that thing is place, I started tackling the use cases one at a time, based on priority and bandwidth and came up with the initial version one.

Design System

After ideation, I established the core foundations of the design system — color, typography, and spacing/layout. These provided consistency across screens and made my high-fidelity prototypes faster to build and easier to maintain.

Components & Tokens

After defining the foundations, I built reusable components (buttons, inputs, cards, modals) and structured them into scalable patterns.

To support this, I introduced design tokens. This served two purposes:

  1. Developer-friendly handoff – tokens acted as a shared language between design and code, making implementation more seamless.

  2. Future-proofing – by abstracting styles (colors, spacing, typography) into tokens, any future changes to themes or branding could cascade across the system without requiring a redesign.

This approach not only made the system easy to maintain but also ensured it could evolve with the product.

After defining the foundations, I built reusable components (buttons, inputs, cards, modals) and structured them into scalable patterns.

To support this, I introduced design tokens. This served two purposes:

  1. Developer-friendly handoff – tokens acted as a shared language between design and code, making implementation more seamless.

  2. Future-proofing – by abstracting styles (colors, spacing, typography) into tokens, any future changes to themes or branding could cascade across the system without requiring a redesign.

This approach not only made the system easy to maintain but also ensured it could evolve with the product.

Ideated widely, tested thoroughly, kept the best

From the earliest stages, user testing was central to the process, especially for a creative tool, ensuring every decision aligned with user needs.

Optimizing the home page for a creation-first approach

I redesigned the entry experience to be creation-first. Instead of leading with upgrades and past designs, the interface now opens with clear starting points for 2D, 3D, and AI workflows — encouraging users to begin creating right away while keeping upgrades and designs accessible but secondary.

I redesigned the entry experience to be creation-first. Instead of leading with upgrades and past designs, the interface now opens with clear starting points for 2D, 3D, and AI workflows — encouraging users to begin creating right away while keeping upgrades and designs accessible but secondary.

V1 : Product-Led Onboarding

V2 : Creation-first approach

Minor tweak in design, interaction for the cards for better differentiation

There are 3 types of files on the home page,

  • 2D garment images,

  • Photoshoot - collection of images,

  • 3D files

I made minor tweaks to the design of each card and the hover interaction to help the user differentiate it easily.

Ideating and converting rough sketches to images

AI Photoshoots to visualize sketches on models

Iterations and design decisions to improve speed and clarity

The goal was to keep the input section as simple as possible, striking the right balance between giving users creative freedom and providing enough constraints for a smooth, streamlined workflow.

The goal was to keep the input section as simple as possible, striking the right balance between giving users creative freedom and providing enough constraints for a smooth, streamlined workflow.

V1 - All-in-One Input

Users input - Model, Background, Filters

V2 -Guided by Steps

Users input - Model, Scene = Background+Pose

V3- Hybrid Prompting

Users input - Model, Pose, Scene = Background and any info

3D Designer

We launched our Beta in April and already have over 1,000 daily active users, with an impressive 80% retention rate, a strong signal of product-market fit and user delight.

We launched our Beta in April and already have over 1,000 daily active users, with an impressive 80% retention rate, a strong signal of product-market fit and user delight.

We continuously test and leverage insights from Amplitude to enhance the user experience. As a PLG product, we are actively running growth experiments to drive engagement and increase conversion.

We continuously test and leverage insights from Amplitude to enhance the user experience. As a PLG product, we are actively running growth experiments to drive engagement and increase conversion.

What our users think

  • “The best thing about the tool is it's flexibility. I can quickly ideate, add prints/ fabric on 3D, and export them as a 360 video, which takes hours on a tool like CLO”

  • “The Fword.ai has become a true catalyst for my creativity. As a digital fashion designer, I’m constantly searching for new ways to experiment, and this AI-powered platform opens doors to endless possibilities."

  • Of all the 3D software I’ve had hands-on experience with this is the first one with the potential to truly simplify a fashion designer's journey from design brainstorming to production readiness, within clicks

Next Steps

We are adding more features to bridge our experiences. Currently, I'm working on an agentic approach for generating 3D Models from garment photos and tech packs (A technical document indispensable for production)

We are adding more features to bridge our experiences. Currently, I'm working on an agentic approach for generating 3D Models from garment photos and tech packs (A technical document indispensable for production)

Ideation/Sketches

Ideation/Sketches

AI Photoshoot

AI Photoshoot

3D Designer

3D Designer

3D Generator

3D Generator

Coming Soon

Tech Pack Agent

Tech Pack Agent

Coming Soon

Reflection and Takeaways

Exciting journey filled with learnings

As a founding designer, building the design system and the product in parallel taught me the importance of balance between speed and scalability, creativity and consistency. I learned how to make trade-offs without losing sight of the bigger vision, collaborate closely with cross-functional teams under ambiguity, and design systems that could evolve with the product as it grew.

As a founding designer, building the design system and the product in parallel taught me the importance of balance between speed and scalability, creativity and consistency. I learned how to make trade-offs without losing sight of the bigger vision, collaborate closely with cross-functional teams under ambiguity, and design systems that could evolve with the product as it grew.